That’s right, you get two holidays for the price of one this Wednesday. Across China, the people are celebrating Dragon Boat Festival (端午节 duānwǔjié) with glutinous rice snacks known as zòngzi (粽子). For the poet in us, it’s a day to mourn the death of Qū Yuán (屈原).

As it follows the lunar calendar, Dragon Boat Festival falls on another important literary holiday this year: Bloomsday. It’s a day to commemorate James Joyce’s (詹姆斯 乔伊斯 zhānmǔsī qiáoyīsī) novel Ulysses (尤利西斯 Yóulìsàisī). There will be plenty of readings of the novel around the world–there’s even a Yiddish reading of it in New York. For the most ambitious of us, there is a Chinese translation of Ulysses (no word on if there’s a public reading of the Chinese version anywhere).

In the U.S., April is National Poetry Month. It was introduced in 1996 and deserves much more recognition than it currently gets. For those of you currently in the U.S., The Academy of American Poets has an interactive map on its Web site that lists events for the month (and beyond). You can access the map at http://www.poets.org/page.php/prmID/382 .

We encourage our readers to write at least one poem every day for the month of April. That should give you enough for a chapbook by the end of the month. You should also read poetry daily no matter what month it is.

Terracotta Typewriter would like to wish everyone a happy St. Patrick’s Day–even if you aren’t Irish, you can pretend to be for the day. We know how difficult it can be to celebrate the day with a good pint of Guinness and some corned beef in China (we never did find corned beef anywhere in the Middle Kingdom), but there are always substitutes. If you live in a city with a Wal-Mart, you can at least find bottles of Guinness Foreign Export (which just doesn’t taste as good as draught, but it’ll do).

If you teach English in China, we encourage you teach a few lessons in Gaelic.

For those of you looking for a writing prompt for today, we suggest channeling one of the many great Irish writers. And if you happen to be in Dublin, go visit the Irish Writers Museum and take a literary pub tour of the city.

For those interested in how to say St. Patrick’s Day in Chinese: 圣帕特里克节 Shèngpàtèlǐkèjié

Terracotta Typewriter would like to wish our readers a happy new year. May 2010 be better than 2009.

Resolutions for this year:

1. Write more (quantity and quality)

2. Update our news section more often

3. Read more

4. Make Terracotta Typewriter the best literary journal with Chinese characteristics

By Brian Kuhl

Christmas in China can be a surreal experience. At an English club Christmas Party once, Santa Claus told me he liked my straight nose. Skinny college kids dressed in familiar red suits, but without even a hint of Santa’s portliness, slouch through the streets passing out sale flyers. In the Hainan jungle village where I lived one year, a Chinese beer was hawked from a yuletide-decorated cottage. On wheels. And Christmas carols—in English—are everywhere. But who’s listening? Who even knows the meanings of the songs, be it the words alone or the warm feelings they conjure up?

Several years ago I was in a big supermarket with three friends who were helping me buy a space heater for my drafty apartment. The store has since been bought out by the British retail chain Tesco, but at the time it retained its Chinese name, which unwittingly fit the season: “Le Gou,” or “Happy Buying.” We were walking through an aisle of cleaning products en route to the heaters when one Christmas song ended and a new one began: “White Christmas.”

I realized we were listening to an entire recording of Christmas carols, sung in English by American performers. While we shopped that afternoon, we heard such popular classics as “Jingle Bell Rock,” “Hey Santa Baby,” “Silver Bells,” and “Rudolph the Red-Nosed Reindeer.” The Jackson Five even belted out “Santa Claus Is Coming to Town.” But when Bing Crosby began to croon, I slowed my pace and laughed. It was amazing to me that such touchstones of my American Christmases past would appear in the small Chinese city of Huzhou. I turned to my friend Xiao Zhang, who wondered why I was laughing, and said, “You know, this is a very famous Christmas song in America, maybe the most famous.”

“Really?” he said with a blank smile.

“Yeah. It says, ‘I’m dreaming of a white Christmas’—white meaning snowy—because snow is considered very Christmasy.”

“Really?” he said again, his look unchanged.

I asked if he could understand the words, and he paused for a moment to listen. Now Xiao Zhang has about the best English skills of anyone I’ve met in China, and if he couldn’t understand the lyrics nobody could. No, he could not make them out, he said, but noted that the song was slow and not upbeat as he thought Christmas music should be. It was supposed to be happy, and it didn’t sound that way. That’s when I realized I was probably the only one in the store to whom these songs meant anything and that playing them was likely just a mandate by some corporate manager somewhere. Here is some Christmas music—play it.

This was a little disconcerting to me. In America, while the business side of Christmas dominates, at least the spirit and ideals of Christmas that have been usurped by business are still there, under the surface, and people know them if they really stop to think about them. But here in China were just the remnants, casually slapped to this alien holiday imported for the sole purpose of selling goods. That’s what struck me: it looked the part—Christmas trees, fake snow on merchandise displays, sales clerks in Santa hats—but it was all surface effects, nothing more.

As Christmas Day approached that year, people asked me how I planned to spend the holiday. I didn’t really want to pretend to celebrate Christmas in China if I wasn’t going to be with my family, which I wasn’t. Christmas fell on a Monday, and the college told me I could have both the 25th and 26th off. But I planned to teach all my classes those days—I already had enough perks and just wanted to be treated like any other member of the faculty. Chinese teachers didn’t get those days off, so I wouldn’t either. It fell then to decide how to spend Christmas Eve. Hangzhou, an elegant center of Chinese culture, is one my favorite cities and I hadn’t been there in some time, so that’s what I would do: go to West Lake and walk around a bit, have a leisurely lunch, and then head to a cafe to sip coffee and read.

When I got to the bus station, in the northern outskirts of the city, I took a taxi to the central area by West Lake. I went first to a DVD store to look for movies I could use with my classes. From there, I had to walk some distance to get to the rest of the stores. What I saw could have been in New York or Boston: people dressed up as Santas walking along in pairs giving out free balloons as promotions, hordes of people on the sidewalks and in the stores, and a long line snaking out of Pizza Hut at three o’clock in the afternoon. Unreal. Too unreal for me. I knew that the cafe would be crowded and that I’d have trouble getting a taxi later to return to the bus station. I decided then and there to leave, after only a couple of hours, and go home.

I had sought an Eastern peace and found instead a Western pace. A couple of days later I complained in an e-mail to a Chinese friend about how the hectic commercial nature of American Christmas had followed me to Hangzhou. His reply came on New Year’s Eve. Yes, he wrote, Christmas had become very popular in China of late, especially among young people and “merchants.” He explained that, in response, a group of Chinese intellectuals at several top universities had written an open letter against Christmas in China—urging Chinese, in part, to place more emphasis on their own holidays and traditional religions. My friend, however, dismissed their argument, saying the scholars “should have more important things to do, instead of acting a show.” He then ended his e-mail with these words:

“I didn’t celebrate Christmas Day, and I even have no feeling about the New Year Day. I like Spring Festival, the traditional new year for Chinese. In my hometown, it is the most important and maybe most happy festival in all year. But I will not object that other people like Christmas or the New Year Day. No right to choose is the most terrible thing in the world.”

Brian Kuhl, originally from the United States, now lives and teaches in Zhejiang Province.

Well not quite that season. We’re referring to Spring Festival, which is still a couple months off. Coincidentally, we’re planning to release Terracotta Typewriter #4 around the same time. We’ll have a launch party with dumplings, baijiu, and plenty of fireworks to scare off the demons and neighbors. OK, we’re joking about the fireworks, but we will be celebrating Spring Festival in style.

The point is, we want your Spring Festival stories and poems. We’re interested in the most amazing/unusual/humorous/ridiculous/entertaining Spring Festival experiences to be included in issue 4. So, think back to that first time you drank baijiu, played mahjong, set off firecrackers in the house, drank more baijiu, and ate the dumpling containing the lucky jiao coin…which you accidentally swallowed because you had too much baijiu.

Try to remember your stories and send them to us at tctype@gmail.com for consideration in the next issue.

Terracotta Typewriter would like to wish China a happy 60th birthday, even though it’s really a bit older than that (it’s okay to lie about your age when dealing with four-digit numbers). China has come a long way in last 60 years–particularly in the last 30 years since the reforms of Deng Xiaoping.

This is a scene from Shenzhen shortly after midnight of the Chinese New Year. The whole city has been celebrating the year of the ox with plenty of noise.